'Not My Business and ‘District 6’ compared Essay\r'

'The metrical composition ‘Not My Business’ is indite by a Nigerian poet Niyi Osund ar. This meter is a dramatic monologue and employments a fictional teller to reflect upon how the Nigerian society is affected by the policy-making and military mis affair of actor and dominance in addition to the multitude’s rejection to revolt over against shabbiness. The poet uses the cashier’s carnal and selfish nature to let out the hollo of power not only in Nigeria but to a fault a orbitual the globe.\r\nThe ennoble ‘Not My Business’ is short and unbiased to communicate the sentiment that siemens Africa’s socio-political status has not changed since the overthrow of apartheid. The vestige is very direct and shows the bank clerk to be ignorant and selfish. In addition to this, the social structure of the poem emphasises his detachment with the people; the lines in which the fabricator talks close himself are kept separate b y the poet to tenor his feeling of superiority over others. However, the storyteller suffers the equivalent fate at the conclusion of the poem.\r\nThe first stanza consists of Akanni universe kidnapped. ‘They picked up Akanni i morning’. The poet uses the kidnapping to emphasise how the governance’s carriage towards the public is comparable. The use of ‘they’ is an obvious indication of the military to the listening but is kept vague to imbibe the lector’s mind to the poem. moreover the poet uses ‘stuffed him down the belly’ to reserve the contributor feel as though the political relation are like predators waiting to move at anyone who opposes them.\r\nOsundare as well as uses this stanza to elaborate on the soldiers’ relentlessness towards the people, ‘beat him soft like clay.’ He uses this line to show the cruelty and injustice laid upon the people, because of the abuse of power and violence utilize to discourage individuals who wear them. The word ‘clay’ armed services to describe the methods of gouge utilise to punish attempts at what the organization calls transgression.\r\nThe poet goes on to show the ignorance of some of the people, ‘What business enterprise of mine is it so long they apply’t resign the yam plant from my savoring mouth.’ The fibber’s selfishness is shown by the discover of ‘yam’ which represents his food, comfortable home and self-occupied lifestyle, de shock mentioning what falled to Akanni. Also, the poet uses the vote counter’s eccentric personality to reach out to people who fortune a similar attitude. Additionally, the word ‘savouring’ helps to illustrate the greediness and materialism of the vote counter in the ref’s mind.\r\nThe arc plunk for stanza begins by showing the mysteriousness of the military, ‘They came one dark’. This implies that the army seat conform to at anytime and the people are never safe. The narrator further goes on to show the atrociousness of the military, ‘boot the whole house conjure’, which suggests that the army has injected fear in the minds of people. An illogical feeling is formed with the use of ‘booted’ creating a sudden sentiment of fear.\r\n what is more vague terminology is use by the narrator to describe what happened to Danladi. ‘Then arrive at to a drawn-out absence.’ This emphasises the narrator’s desire to distance himself from reality. The poet uses the phrase ‘lengthy absence’ to show the narrator’s un resultingness to ac chouseledge that a little terror is eminent from the political sympathies. Therefore the narrator regardless, lives with the atrocities that circumvent his society.\r\nIn the third stanza Chinwe is fired from her suppose. ‘Her job was gone.’ The poet once again shows the government can strike at anytime any day. Osundare uses the repeating of ‘no’ to emphasise that Chinwe was sacked without coherent reason. He does this further with ‘a immaculate record’. This shows the influence and injustice of the government in the society as fountainhead referable to the incident occurring in spite of Chinwe’s hostelocence. The refrain is used to make the reader feel that the narrator doesn’t have any remorse or guilt for not caring about the other people around him.\r\nThe determination stanza involves the narrator himself being taken away, ‘And then(prenominal) one evening as I sat down to eat my yam a knock on the portal froze my hungry hand.’ The narrator’s belief is fearful and surprised. His ‘hungry hand’ shows his selfishness and greed. The poet uses beginning rhyme to put emphasis on this.\r\nFurthermore, the repeating of ‘waiting’ creates tension in the reader’s mind and stresses the helplessness of the narrator when his own words come confirm to haunt him. It also coincides with the second stanza where the jeep is also ‘waiting’ for danladi. Lastly, the structure of the stanza shows the caustic remark of the narrator’s situation, that he also suffers the same fate as his neighbours.\r\nThe poem rule 6 is compose afterward apartheid by Tatamkhulu Afrika who is a albumen southerly African poet and is a dramatic monologue. Afrika amplifies his crossness at the situation of South Africa by using a black South African narrator to show that difference is still widely diligent. The narrator feels the post-apartheid outcome should have been different. Throughout the poem the poet voices his shame with the racialism and discrimination. The poet’s attitude consists of pettishness and frustration which is reflected and emphasised at the give notice of the poem where the narrator want to safety to violence.\r\nDistrict 6 is shown to now be a run-down levelled place, ‘Small round laborious s vestiges’. This quote displays to a sealed extent how District 6 has not changed since the apartheid government destroyed the area. In addition, the poet uses the concord in ‘small round hard’ to depict the hostile and unpleasant environment. Furthermore, he uses a bitter tone, ‘seeding grasses thrust whiskered seeds’. This is shown by ‘thrust’ which carries an aggressive attitude making the statement resentful. This is emphasised by the continuous repeating of ‘sss’ sounds used in this stanza.\r\nThe narrator continues to stress District 6’s ending, ‘trodden on, crunch in tall, purple-flowering amiable weeds’. He repeats the same idea twice using ‘trodden on’ and ‘crunch’ for emphasis showing the unchanged situation of district 6.\r\nThe poet further uses the na rrator to show a sense of belong to District 6 in the second stanza, ‘my feet…my hands…my lungs…my eyes.’ Throughout the stanza the narrator emphasises his acquaintance and ownership of District 6 as if he grew up there. His defiant tone suggests that he is demanding back what is his and continues to do this with the repetition of ‘my’. At the end of the stanza elicit is shown which shows his link with District 6.\r\nThe poet goes on to emphasise his angriness at the contrast mingled with races. ‘ jumpy with glass, name burn up like a flag, it squats’. He uses an aggressive tone to display his fury at the existence of a structure with thrives on racism. The rhyming ‘ss’ sounds at the end of ‘brash’ and ‘glass’ help to fuel the effect of anger in the reader’s mind. Also, the narrator shows how active and unopposed racism thrives through, ‘name flaring like a flag’ . This shows the freedom of racism specifically because the inn is rigid in District 6 due to its significance in South African history. Furthermore, a mocking tone is used for emphasis with ‘it squats’, suggesting the pureness are occupying the inn illegally.\r\nTatamkhulu relates to the title in the fourth stanza, ‘No sign says it is, but we know where we belong.’ The narrator conveys a mocking tone which echoes the idea and base of the poem, coming from the title ‘ cypher’s Changed’, that the situation of District 6 has been constant due to flannels still occupying it since apartheid. The stanza is used to remind the reader of the cause of the destruction of District 6 which happened due to racism and discrimination.\r\nFurthermore, the poet uses the narrator to how his exclusion and separation from the white society, ‘I press my nose to the unload panes.’ This shows the narrator’s curiosity, but also suggests the existence of an invisible barrier, ‘clear panes’, between him and the whites.\r\nIn addition, the narrator anticipates and emphasises the lavish lifestyle, ‘know before, I see them, there will be crushed ice white glass, linen falls, the single rose.’ The poet creates an atmosphere of sumptuosity and beauty in the reader’s imagination. The use of ‘single rose’ at the end of the stanza suggests an quality influence. The reader is do to feel anger and disposition to enmity towards the unfairness and discrimination directed from the white society.\r\nThe next stanza leans towards the inequality still overshadowing the non-white society, ‘ running(a) man cafe sells bunny shows, take it with you, eat it at a moldable table’s fleet.’ The blacks are shown to be a lower class which contrasts to the upper-class whites in the previous stanza, despite the end of apartheid. The narrator also uses ‘p expiryic topà ¢â‚¬â„¢ to show the difference and neediness between blacks and whites.\r\nThe last stanza reverts to the main picture of the poem, ‘boy again…hands burn, for a stone, a bomb calorimeter to milkshake down the glass’. The use of ‘boy again’ suggests that nothing has changed since the narrator was a boy and the word ‘shiver’ reflects the frustration in the narrator’s mind. Furthermore, the use of ‘stone…bomb’ helps the reader to understand the possible causes of violence end-to-end South Africa to be like calls of anger against racism.\r\nTo conclude, the poem ‘Not My Business’ was written because the Nigerian public has no demand to rebel and fight against injustice or tyranny enforced by the government. The narrator is shown as an example of what will happen to the people if they refuse to repel the injustice laid upon others and that they will eventually consent to the same fate if they continue to be ignorant.\r\nIn the second poem, ‘Nothing’s Changed’ summarises that South Africa has not yet managed to worst its issues of racism, injustice and inequality despite being in the post-apartheid era. The poem acts as a plea to all South Africans to come together and unite to create a civilised society with equal rights.\r\nIn my opinion, both poems share the idea that the people should unite and act against injustice and oppression, though in different ways; the sum is universal: Unity will function peace and harmony amongst the people.\r\n'